Showing posts with label Edinburgh Festival Fringe. Show all posts
Showing posts with label Edinburgh Festival Fringe. Show all posts

Friday, August 27, 2010

BBC News - Edinburgh shows tackle sex trade

Fair Trade The play Fair Trade has Oscar winner Emma Thomson as executive producer

Comedy may not seem the most natural way to confront the subject of sex trafficking and the oppression of women. But several shows are tackling that issue at this year's Edinburgh Fringe.

In a small venue under the George IV Bridge, Irish comic Keith Farnan reveals the inspiration for his show How Much Is that Woman in the Window.

"We were in Amsterdam and saw the red light district, which was like a human zoo," the lawyer-turned-comedian recalls.

"But as we walked by the canal through the business section of the city, there were a bunch of lads leaning over the railings, shouting and waving money.

"We looked and saw a woman on a balcony having a coffee and I told them the red-light district was further down.

"He basically said: 'This is Amsterdam, she's in a window, we have money, it's fair game.'"

The Cork native asks whether we, as a society, value or devalue women, covering the unrealistic 23-inch waist of size zero to high street shops selling push-up bras for seven-year-olds.

At one point he talks about a friend who defended pole-dancing clubs, comparing them with stripping act The Chippendales.

Farnan responded by asking whether those waxed beefcakes were lured into the country with the promise of a decent job, only to have their passports taken off them, endure gang rape and beatings and have most of their earnings taken away to pay for a small room in a grotty bedsit.

Farnan says the reaction from the audience at some warm up gigs in Ireland has been largely positive, yet he is still viewed with suspicion by some male audience members.

"I've been called whipped, which I had to look up on Google. A lot of the women were waiting for a punchline because so many male comedians basically demean women and that's how they get their comedy.

"I was talking about guys who make rape jokes, which seems to be 'in' at the moment. But when they realise what you're trying do do, it's refreshing.

"If I was a women comedian talking about this, I'd be immediately dismissed and labelled a feminist but as a man, you can challenge people's preconceptions."

Sex slaves

The play Fair Trade, with Oscar-winner Emma Thompson as executive producer, takes a more direct approach. Its script is adapted from the testimonies of women who were trafficked to the UK to work as sex slaves.

Samai from Sudan and Elena from Albania escape the poverty and horror of their old lives with the promise of freedom in England, only to fall prey to sex traffickers.

Writer Anna Holbeck, who plays Elena on stage, met the two women on whom the play is based.

"It was pretty intense," she says. "When we went to interview them, I think we had the idea that they were success stories, in that they had come out of the other end. But we left there completely speechless, we didn't know what to make of it all."

Emma Thompson
Emma Thompson helped provide funds for Fair Trade

She goes on to explain how difficult it was to address the size of the problem in the UK because victims are reluctant to come forward and ask for help.

"So many of them are far too traumatised and scared to approach anyone in the first place," Ms Holbeck adds.

"Either they have been threatened or the police back home are even worse than the traffickers so that is what their idea of the police here in the UK will be like."

A chance meeting with Thompson - a patron of the Refugee Council and campaigner for immigrants' rights - on a film set inspired her to write Fair Trade, Ms Holbeck says.

"She introduced me to the Journey Against Sex Trafficking (an art installation shown in 2008). I had just left drama college and was looking for something to do and found this campaign that I became a supporter of and wanted to do something about.

"We showed her the script and she was thrilled. She said: 'This is a brilliant script and I can't wait to get started.' Those were her actual words."

Thompson provided funds and helped get the production its first run, even taking part in a Q&A session after the first performance.

'Interesting' theme

Roadkill, by Cora Bissett, sets the issue even closer to home as the audience hears the story of a girl forced into working as a prostitute in the fair city of Edinburgh.

Its entire run throughout the month has sold out.

"The arts have the freedom to address difficult and challenging issues, such as the trafficking of human beings” UK Human Trafficking Centre

See Me! Hear Me! opens later in the month and mixes multimedia and physical theatre as an Ivy League professor and expert in economics is confronted by the human faces behind the "world's second-most lucrative industry: Slavery".

Fringe chief executive Kath Mainland says: "One of the great things about the festival is that anyone can do anything they like.

"It is about artists being inspired by whatever inspires them to make the next thing they want.

"I think it is interesting that is a theme which has emerged this year. I think there are some great females taking part, writers, producers, directors. I think it is a good thing."

In the past year, the UK Human Trafficking Centre (UKHTC), run by the Serious Organised Crime Agency (SOCA), has handled more than 700 cases of people suspected of having been illegally trafficked into the country, most of them women.

The figures barely scratch the surface of what is believed to be a multi-billion pound a year worldwide industry.

The UKHTC, in a statement, praised the productions for giving "prominence" to the issue.

"Human trafficking is not just something that happens in other countries," it says. "It happens in the UK, but it is still a hidden crime for many of us. If we are to be successful in tackling it, human trafficking must be visible not only to law enforcement but to the wider public.

"The arts have the freedom to address difficult and challenging issues, such as the trafficking of human beings."

Ms Holbeck adds: "We just hope this has a long life beyond Edinburgh. The more people can see it and take away something from it, even if they learn just one tiny fact, the stories being passed on is all we really want."

BBC News - Edinburgh shows tackle sex trade
Enhanced by Zemanta

Sunday, August 22, 2010

Scottish police eye sex slavery play at Fringe | News by Country | Reuters

The Pleasance Courtyard during the Edinburgh F...Image via Wikipedia

FROM REUTERS AFRICA

Fri Aug 13, 2010 11:14am GMT

By Ian MacKenzie

EDINBURGH Aug 13 (Reuters Life!) - Scotland's police have their eye on a play on human trafficking staged at the Edinburgh Fringe festival to help spotlight the plight of young foreign women exploited as sex slaves.

"Fair Trade" follows the fate of two girls, one a pretty Albanian village girl and the other a penniless victim of war in a Darfur refugee camp, as they are conned into flying illegally to London with promises of the good life.

The play was originally co-written by two young women fresh out of drama school, Anna Holbek and Shelley Davenport, who had become part of a campaign against sex trafficking which started with a 2007 art installation in London's Trafalgar Square.

One of the moving forces behind the campaign is the actress Emma Thompson, who encouraged Anna to write the play.

After a trial run in London in 2008, writer Kate Ferguson was brought in to polish the script ahead of this year's appearance at the Fringe.

Anna plays the part of the Albanian girl Elena, while Sarah Amankwah takes the role of the Darfar refugee Samai. Their story is the real-life tale of two girls -- their identities concealed -- who agreed to relate their experiences to the play's authors.

Along with the harrowing story of sexual slavery, the play also brings out the dilemma faced by police and immigration officials constrained by bureaucratic diktats who find the problem hard to deal with.

The girls are picked up as illegal immigrants and plead for understanding of their plight.

"I'm sorry, I've got to follow procedures. You're here illegally. My hands are tied," a policeman says.

Anna Holbek told Reuters she had talked to Detective Sergeant Sandra Jamieson of the human trafficking unit of the Scottish Crime and Drug Enforcement Agency (SCDEA).

She said Jamieson had shown an interest in possibly using the play to sensitise police officers to the issue.

"Increasing awareness among the police and other professionals about this issue is crucial if we are to identify victims, provide them with appropriate care and support, and ensure the perpetrators of this crime are punished," Jamieson told Reuters by e-mail.

She said artists like those at the Fringe "have an ability to capture the raw voices and emotions of those victims, and could have a contribution to make here in Scotland long after the curtain on the festival has fallen."

As the curtain falls, Elena has one chilling warning:

"The Olympics are coming to London soon, and imagine how many girls they'll bring over then."

(Editing by Paul Casciato)



Scottish police eye sex slavery play at Fringe | News by Country | Reuters


Enhanced by Zemanta