Showing posts with label Emma Thompson. Show all posts
Showing posts with label Emma Thompson. Show all posts

Wednesday, April 13, 2011

New PSA Alerts New Yorkers Of Signs Of Human Trafficking - NY1.com

MTV-Sponsored Show Raises Awareness on Human T...Image by United Nations Photo via Flickr

04/12/2011 09:11 PM

By: NY1 News

The city wants New Yorkers' help identifying and saving victims of human trafficking.

Actress Emma Thompson is the voice behind a new public service announcement playing in taxi cabs, which is aimed to get people to look for signs of human trafficking and call 311, or 911 if it is an emergency.

These signs include people having their passports taken or being forced to work long hours at very low wages and living in overcrowded conditions.

"Sometimes you see young girls on the street when you know they're not supposed to be there. These are warning signals and as New Yorkers we have to pay attention and we have to help," said Deputy Mayor of Legal Affairs Carol Robles-Roman.

A Dutch expert at fighting human trafficking appeared at the Bronx Family Justice Center, which provides legal, housing and social services in one location for victims of trafficking and domestic violence.


TRAFFICKING MONITOR: CLICK LINK BELOW TO LISTEN TO PSA:
New PSA Alerts New Yorkers Of Signs Of Human Trafficking - NY1.com

SOURCE: ny1.com

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Friday, February 18, 2011

Syndicate of silence

Emma Thompson at the César awards ceremony.Image via Wikipedia
by Fatal Promises on Thursday, February 17, 2011 at 12:46pm

Politicians, men working for relevant organizations, managers, lawyers as clients of prostitutes: In interviews for “Fatal Promises” activists Emma Thompson and Gloria Steinem both identified those men’s involvement in the sex industry as one of the reasons why progress in the fight against human trafficking is hard to come by.

This point was driven home rather forcefully in Austria recently when media reaction to a TV-report about victims of human trafficking in Vienna’s most prominent club “Babylon” was non-existent. None of the mainstream media followed up on the report by the ORF. For years “Babylon” has been and still is a high-end and – in the Viennese context – a high society club in a prime location of the city. A huge advertisement of the club at the Vienna airport has just recently been removed after years of blatantly greeting visitors during their first minutes in Austria.

The report established beyond any doubt the connection between a model agency in Romania and girls forced to work as prostitutes in that club. One under age girl, 17 years old and finally rescued by one of the clients, told her story in no uncertain terms: Upon arrival in Vienna she was immediately taken to “Babylon”, her passport taken away. For three years she had to work in various locations around Austria as, in her words, “Babylon” wanted fresh supply of women constantly. Not to forget, all of this is happening within the European Union, involving two member states – not any third world country.

The report covered a court case against traffickers in the town of Slobozia in Romania, where two more reasons for the frustrated fight against this crime came to light. First: Asked about human trafficking, a Romanian journalist said: “There are bigger problems than human trafficking. It involves politicians…” Can there be a bigger problem than buying and selling human beings – regardless of who the clients are?

Second: The founder of the rescue organization “Reaching Out” in Romania was quoted: “ There is no political will. Many politicians are clients. And there is a lot of money to be made.” Society and governments, she said, are not really fighting the crime and the traffickers can do what they want. In her opinion stiff prison sentences are necessary and all the assets of the traffickers need to be confiscated as so may victims and activists have been saying for so many years – to little avail. As the founder of “Reaching Out” sums it up in the report: “There has not been any change in 12 years”. Of the ten women in her safe house seven are under-age.

In this special case the model agency “Star Company” was running into financial problems and was finally “rescued” by a politician of the opposition in Romania. According to reports this is when the trafficking to Austria as well as to Italy, another EU member state, started on a bigger scale. The politician has been called to court only as witness and not as a defendant. The principal defendant is free on bail.

As revealing as the report itself was, especially about the level of tolerance for this crime within the EU, the truly shocking aspect was the dead silence in the Austrian media and public after its airing.

None of the relevant questions came up for discussion: How can it be that not even well-educated clients are suspicious about certain girls since the club has been involved in a trafficking case before?

How can it be that they are proud to be filmed at the club during society events? How can it be that a very well-known and prominent lawyer associates himself with that club – totally unashamed of what might be going on?

As one man who runs a safe house in Vienna said in an interview, referring to the dirty business of trafficking: “Everything is connected with violence. There is no nice prostitution. It is just being whitewashed."

Source: www.facebook.com/notes/fatal-promises
Syndicate of silence
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Monday, September 27, 2010

Emma Thompson Releases Anti-Slavery Concept Album | End Human Trafficking | Change.org


Source: End Human Trafficking

Emma Thompson, who is quickly becoming the hardest working woman in show biz and the and the anti-trafficking movement, has released a concept album seeking to humanize the issue of human trafficking. You can help make work like Thompson's possible by supporting the arts as a tool to end human trafficking.

The album Just Enough for the Real World was created in partnership with UK charity The Helen Bamber Foundation, of which Emma Thompson is the current chair. With musician/producer Phil Knight, Thompson brought together twelve artists to create original tracks that would emotionally connect listeners to the experiences of victims of modern-day slavery. That may sound depressing, but the album itself is the exact opposite of depressing -- it's upbeat, danceable, and even peppy. Tracks range from deep, bluesy rock to almost bubble-gum pop . It's music which in many ways evokes feelings of freedom and joy, not slavery and pain. But according to Thompson in an interview, creating a life-affirming music experience was part of the goal.

Just Enough for the Real World comes on the heels of the re-staging of Thompson's Journey project, a combination art and public awareness instillation that takes participants through the experience of a trafficked woman in a series of container cars. Journey was initially launched in London and New York last year to rave reviews, and will be making additional rounds this year.

Between the art and the music, Emma Thompson is becoming the poster girl for using the arts to raise awareness about human trafficking. The arts have long been a powerful tool to communicate important issues to the public, and Just Enough for the Real World and Journey are bringing that powerful advocacy to the anti-trafficking movement. If you'd like to help make more projects like the ones Thompson has embraced possible, tell your representatives funding arts programs is key to preventing human trafficking.
Photo credit: garyknight
Amanda Kloer has been a full-time abolitionist for six years. She currently develops trainings and educational materials for civil attorneys representing victims of human trafficking and gender-based violence.

Emma Thompson Releases Anti-Slavery Concept Album | End Human Trafficking | Change.org


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Monday, September 20, 2010

The New Slavery: Sex Trafficking :: Hudson New York



Source: Hudson New York

by Emma Thompson
September 20, 2010 at 5:00 am


The New Slavery: Sex Trafficking :: Hudson New York


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Friday, August 27, 2010

BBC News - Edinburgh shows tackle sex trade

Fair Trade The play Fair Trade has Oscar winner Emma Thomson as executive producer

Comedy may not seem the most natural way to confront the subject of sex trafficking and the oppression of women. But several shows are tackling that issue at this year's Edinburgh Fringe.

In a small venue under the George IV Bridge, Irish comic Keith Farnan reveals the inspiration for his show How Much Is that Woman in the Window.

"We were in Amsterdam and saw the red light district, which was like a human zoo," the lawyer-turned-comedian recalls.

"But as we walked by the canal through the business section of the city, there were a bunch of lads leaning over the railings, shouting and waving money.

"We looked and saw a woman on a balcony having a coffee and I told them the red-light district was further down.

"He basically said: 'This is Amsterdam, she's in a window, we have money, it's fair game.'"

The Cork native asks whether we, as a society, value or devalue women, covering the unrealistic 23-inch waist of size zero to high street shops selling push-up bras for seven-year-olds.

At one point he talks about a friend who defended pole-dancing clubs, comparing them with stripping act The Chippendales.

Farnan responded by asking whether those waxed beefcakes were lured into the country with the promise of a decent job, only to have their passports taken off them, endure gang rape and beatings and have most of their earnings taken away to pay for a small room in a grotty bedsit.

Farnan says the reaction from the audience at some warm up gigs in Ireland has been largely positive, yet he is still viewed with suspicion by some male audience members.

"I've been called whipped, which I had to look up on Google. A lot of the women were waiting for a punchline because so many male comedians basically demean women and that's how they get their comedy.

"I was talking about guys who make rape jokes, which seems to be 'in' at the moment. But when they realise what you're trying do do, it's refreshing.

"If I was a women comedian talking about this, I'd be immediately dismissed and labelled a feminist but as a man, you can challenge people's preconceptions."

Sex slaves

The play Fair Trade, with Oscar-winner Emma Thompson as executive producer, takes a more direct approach. Its script is adapted from the testimonies of women who were trafficked to the UK to work as sex slaves.

Samai from Sudan and Elena from Albania escape the poverty and horror of their old lives with the promise of freedom in England, only to fall prey to sex traffickers.

Writer Anna Holbeck, who plays Elena on stage, met the two women on whom the play is based.

"It was pretty intense," she says. "When we went to interview them, I think we had the idea that they were success stories, in that they had come out of the other end. But we left there completely speechless, we didn't know what to make of it all."

Emma Thompson
Emma Thompson helped provide funds for Fair Trade

She goes on to explain how difficult it was to address the size of the problem in the UK because victims are reluctant to come forward and ask for help.

"So many of them are far too traumatised and scared to approach anyone in the first place," Ms Holbeck adds.

"Either they have been threatened or the police back home are even worse than the traffickers so that is what their idea of the police here in the UK will be like."

A chance meeting with Thompson - a patron of the Refugee Council and campaigner for immigrants' rights - on a film set inspired her to write Fair Trade, Ms Holbeck says.

"She introduced me to the Journey Against Sex Trafficking (an art installation shown in 2008). I had just left drama college and was looking for something to do and found this campaign that I became a supporter of and wanted to do something about.

"We showed her the script and she was thrilled. She said: 'This is a brilliant script and I can't wait to get started.' Those were her actual words."

Thompson provided funds and helped get the production its first run, even taking part in a Q&A session after the first performance.

'Interesting' theme

Roadkill, by Cora Bissett, sets the issue even closer to home as the audience hears the story of a girl forced into working as a prostitute in the fair city of Edinburgh.

Its entire run throughout the month has sold out.

"The arts have the freedom to address difficult and challenging issues, such as the trafficking of human beings” UK Human Trafficking Centre

See Me! Hear Me! opens later in the month and mixes multimedia and physical theatre as an Ivy League professor and expert in economics is confronted by the human faces behind the "world's second-most lucrative industry: Slavery".

Fringe chief executive Kath Mainland says: "One of the great things about the festival is that anyone can do anything they like.

"It is about artists being inspired by whatever inspires them to make the next thing they want.

"I think it is interesting that is a theme which has emerged this year. I think there are some great females taking part, writers, producers, directors. I think it is a good thing."

In the past year, the UK Human Trafficking Centre (UKHTC), run by the Serious Organised Crime Agency (SOCA), has handled more than 700 cases of people suspected of having been illegally trafficked into the country, most of them women.

The figures barely scratch the surface of what is believed to be a multi-billion pound a year worldwide industry.

The UKHTC, in a statement, praised the productions for giving "prominence" to the issue.

"Human trafficking is not just something that happens in other countries," it says. "It happens in the UK, but it is still a hidden crime for many of us. If we are to be successful in tackling it, human trafficking must be visible not only to law enforcement but to the wider public.

"The arts have the freedom to address difficult and challenging issues, such as the trafficking of human beings."

Ms Holbeck adds: "We just hope this has a long life beyond Edinburgh. The more people can see it and take away something from it, even if they learn just one tiny fact, the stories being passed on is all we really want."

BBC News - Edinburgh shows tackle sex trade
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Sunday, August 22, 2010

Scottish police eye sex slavery play at Fringe | News by Country | Reuters

The Pleasance Courtyard during the Edinburgh F...Image via Wikipedia

FROM REUTERS AFRICA

Fri Aug 13, 2010 11:14am GMT

By Ian MacKenzie

EDINBURGH Aug 13 (Reuters Life!) - Scotland's police have their eye on a play on human trafficking staged at the Edinburgh Fringe festival to help spotlight the plight of young foreign women exploited as sex slaves.

"Fair Trade" follows the fate of two girls, one a pretty Albanian village girl and the other a penniless victim of war in a Darfur refugee camp, as they are conned into flying illegally to London with promises of the good life.

The play was originally co-written by two young women fresh out of drama school, Anna Holbek and Shelley Davenport, who had become part of a campaign against sex trafficking which started with a 2007 art installation in London's Trafalgar Square.

One of the moving forces behind the campaign is the actress Emma Thompson, who encouraged Anna to write the play.

After a trial run in London in 2008, writer Kate Ferguson was brought in to polish the script ahead of this year's appearance at the Fringe.

Anna plays the part of the Albanian girl Elena, while Sarah Amankwah takes the role of the Darfar refugee Samai. Their story is the real-life tale of two girls -- their identities concealed -- who agreed to relate their experiences to the play's authors.

Along with the harrowing story of sexual slavery, the play also brings out the dilemma faced by police and immigration officials constrained by bureaucratic diktats who find the problem hard to deal with.

The girls are picked up as illegal immigrants and plead for understanding of their plight.

"I'm sorry, I've got to follow procedures. You're here illegally. My hands are tied," a policeman says.

Anna Holbek told Reuters she had talked to Detective Sergeant Sandra Jamieson of the human trafficking unit of the Scottish Crime and Drug Enforcement Agency (SCDEA).

She said Jamieson had shown an interest in possibly using the play to sensitise police officers to the issue.

"Increasing awareness among the police and other professionals about this issue is crucial if we are to identify victims, provide them with appropriate care and support, and ensure the perpetrators of this crime are punished," Jamieson told Reuters by e-mail.

She said artists like those at the Fringe "have an ability to capture the raw voices and emotions of those victims, and could have a contribution to make here in Scotland long after the curtain on the festival has fallen."

As the curtain falls, Elena has one chilling warning:

"The Olympics are coming to London soon, and imagine how many girls they'll bring over then."

(Editing by Paul Casciato)



Scottish police eye sex slavery play at Fringe | News by Country | Reuters


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Friday, December 11, 2009

Kathleen McGowan: This Holiday Season, You can Fight Slavery, Rape and Torture - While Shopping

Thompson at the Nanny McPhee London premiere, 2005Image via Wikipedia

Kathleen McGowan
Author, activist and songwriter
Posted: December 11, 2009 11:55 AM

There are millions of sex slaves in the World - how safe is your daughter? Your sister? Your girlfriend?

Emma Thompson, the Academy Award winning actress and activist, spent last week in New York City as the co-creator of a brilliant art exhibition called "Journey." The exhibition shed light on the darkest corners of human behavior by bringing to life the terrifying, violent journey of the millions of girls who have been trafficked into sexual slavery.

Thompson's project also exposed another important aspect of our human weakness: Apathy. Sexual slavery continues to exist because otherwise decent people can't be bothered to care. As an activist working to enlighten the average citizen about the horrors of human trafficking, I witness this attitude often. The average person will give me kudos for my charity work, even get a little teary eyed as I discuss it, until they can find a polite yet hasty exit, tossing an apologetic, "Uhm.. good luck with that," over their shoulder as they bolt. I was ultimately excited by Thompson's artistic approach, and that she found a creative way to raise awareness of such a terrible issue: through art.

Slavery is an ugly subject, and I certainly understand why good people don't want to talk about it. We don't want to believe that human beings can sell each other like commodities. We don't want to know that millions of little girls and young women are enslaved in situations where they are raped over forty times a day. Perhaps that's why we call it human trafficking; it's a phrase that somehow makes torture, rape and slavery more acceptable to our ears.

More often than not, I encounter the attitude that sexual slavery is something that happens "over there" - as if it is less monstrous if it occurs in the third world. For Americans, there is some kind of cold comfort in clinging to the belief that it doesn't happen here and therefore doesn't affect us. This is a dangerous myth which needs to be dispelled immediately. Sexual enslavement and torture is alive and thriving in the USA, from Los Angeles to New York City, and everywhere in between. Girls are easier to ship than drugs and weapons, and more profitable. The sex slave industry increases every year, everywhere. And it can happen to any of us. I know, because it almost happened to me.

I was 21 years old and trekking through the Continent on a Eurail Pass with my childhood best friend. This blissful adventure came to a terrifying halt at an outdoor café in Lisbon one evening when our table was suddenly surrounded by fourteen agitated and threatening men. We would discover later that our attackers were operatives of human trafficking cartels, and that we had been "sold" by the café owner. There is a horrifyingly common practice in areas of the world that attract tourists, from Aruba to Portugal, that entails tipsters earning cash bonuses to spot good candidates for the slave trade - usually young women traveling alone or in pairs. In our case, coloring was a factor: premiums are paid for certain skin tones and eye colors, depending on the customer.

It can happen to anyone.

We were fortunate in that the incident was witnessed and we were rescued before anything truly terrible happened to us. In another few minutes we would have been on slave ships at the port, human cargo thrown into shipping containers on our way to a fate so nightmarish that I cannot even begin to imagine it. Emma Thompson's "Journey" used these same shipping containers as the basis of the exhibit, to illustrate how girls are dumped into windowless metal cages and shipped to brothels around the world.

I believe that my personal brush with human trafficking was not an accident. I am certain that it was God's wake-up call to me. I needed to be made aware in an ultimately visceral way that this horror exists on our planet today, and is a greater threat around the world than it has ever been before. I needed to know how it felt to be trapped, terrified and completely helpless. I needed to experience the wrenching realization that my humanity didn't matter to the desensitized men who saw me only as a commodity, no different from any inanimate object that could be sold for profit, or equally discarded as garbage. I needed to know how it felt to have the hands of vicious predators on me, with no means of escaping them.

Currently, over twenty-seven million women and children are enslaved worldwide in conditions that are nearly unimaginable to most of us. Let me repeat that number, because it is really too large to fathom in a single instance: TWENTY-SEVEN MILLION. Slavery is illegal virtually everywhere - and yet it is more common and prevalent than at any period in history.

But we can do something about it. We can end human trafficking and sexual slavery. The first step is simply to care.

Because I was rescued from this fate by the grace of God, I believe that it is my obligation to work as hard as I can to help others who have been victimized or who are at risk. Like Emma Thompson, I hope to make a difference through my art. To represent my commitment to this belief, I have pledged to donate royalties from my latest book, The Source of Miracles, to charities that support women and children who are recovering from the horrors of human trafficking and sexual slavery.

Specifically, I have teamed with Sarah Symons and her worthy organizations, The Emancipation Network and Made By Survivors to create programs that create and sustain employment for women who have been rescued from the nightmare of human trafficking, allowing them to be both safe and self-supporting.

I chose to work with Made by Survivors specifically because of their hands on, in the field approach, but also because they have created a program which allows average citizens to care in a painless way. Made by Survivors provides a marketplace for products created by young women who have been rescued or are at risk; they are fighting slavery with empowerment. You can make a difference - even save lives- by simply shopping online. Buying beautiful handmade products, a necklace or a purse or holiday cards, makes you an activist in the global battle to end slavery. It is so simple, yet ultimately powerful. It raises awareness at the same time that it raises funds.

Emma Thompson's "Journey" has run its course, but it is up to us to keep the powerful lessons in our consciousness. The exhibition has gone, but the problem grows each day. You can help. To view the jewelry and support survivors and girls who are risk, visit www.madebysurvivors.com or my own website, www.kathleenmcgowan.com.

Together, we can make this holiday season truly blessed as we work toward a real miracle: ending slavery while bringing justice and peace to those who are in need.


Kathleen McGowan is a New York Times bestselling author. Proceeds from her new book, The Source of Miracles: Seven Steps to Transforming your Life Through the Lord's Prayer, will be donated to the initiatives of The Emancipation Network and Made by Survivors.

http://www.huffingtonpost.com/kathleen-mcgowan/this-holiday-season-you-c_b_388763.html




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Monday, November 2, 2009

NPR: Emma And Elena, Exposing The Sex Trade

Emma Thompson tours 'Journey'
Enlarge Simon Clark/Eyebox
"I Wasn't Me Anymore:" Emma Thompson tours Journey, an art installation she co-created with a woman who was victimized by sex traffickers. Viewers who look through this porthole see their own faces superimposed on the bodies of woman wearing "prostitutes' weeds" — tattered lingerie and other worn, used clothing.


October 31, 2009

Emma Thompson may be best known for the stories she's been part of on screen and stage, but now she wants to tell you a different sort of tale. It's the story of a young girl, Elena, who was forced into the global sex industry.

Elena is from a small town in the Eastern European republic of Moldova. At the age of 18, she was promised a job and a future in the U.K. When she arrived, she was made into a prostitute.

Thompson, who met Elena through her involvement with a group that works to help survivors of such experiences, has curated and championed an art installation inspired by Elena's story. It's called Journey, and it has its New York opening this November. The installation comprises seven shipping containers, each designed by a different artist to interpret one part of what Thompson calls Elena's "journey into hell."

Thompson tells Scott Simon that she was immediately drawn to Elena — to protect her privacy, NPR isn't using Elena's last name — because "she's a survivor, and most survivors are extraordinary people." As they got to know each other better, however, one of Elena's qualities struck a particularly special chord with Thompson: "Her capacity to tell this story whilst laughing and smiling and being positive about it and herself."



'Journey' outside London's National Gallery
Simon Clark/Eyebox
Destination London: Journey outside Britain's National Gallery, where it was installed in 2007.
As Thompson and Elena deliberated over how best to tell Elena's story, they settled on the idea of an art exhibit that would engage the viewer.

"She had already been objectified," Thompson says, "and I think sometimes watching those things on the screen actually furthers or deepens that sense of objectification. ... The person who's watching is just sitting there watching. They're not walking, they're not doing, they're not seeing and feeling things in a different way."


Shipping containers were an obvious choice, Thompson says.


"They resonate so strongly; they're such powerful, huge objects, and we associate them with the movement of goods, which is essentially how she was treated."

The containers are arranged in a kind of chronological order. The first, which invites viewers to look through a series of keyholes at scenes from Elena's childhood, imagines what it was like for her to lose her father and then be offered the hope of a better life elsewhere. That hope came in the form of the woman who approached Elena in a marketplace, dangling the prospect of a job as a secretary in London. She's represented in the installation as a vaguely menacing figure looming over a suitcase-toting Elena. The writing on the wall reads, in a childlike chalk scrawl: "'Would you like to go to England?' she said."

The next container represents Elena's journey from Moldova to London. It's pitch-dark, and all you hear are repetitive sounds of movement.

When Elena arrived in London — her passport confiscated, a stranger alone in a foreign city — her handlers gave her a new set of work clothes. Thompson calls them "prostitutes' weeds" — tattered underwear and stockings "that had been worn by other women, old used stuff." Elena's handlers forced her to wear them.

Oscar-winning costume designer Sandy Powell, who designed this part of the installation, wanted to convey what it would be like to look in the mirror and realize that you had lost your identity. So when visitors walk into this container, they look through a sort of porthole at a mirror, seeing their own face superimposed on a picture of a prostitute's body. The experience, not surprisingly, can be deeply moving for women who walk through. But Thompson says that men "didn't laugh or find it funny. They understood absolutely what it meant."

Thompson curated the last container herself. She built it around what she calls "the language of rejection and disbelief:" It's a 15-minute tape of Elena telling her own story, juxtaposed with government documents expressing skepticism about the claims of asylum-seekers who, like Elena, were trafficked into Britain.
Thompson isn't merely flying into New York for the grand opening of this exhibit. She'll be staying for all of its week-long installation in Washington Square Park, Nov. 10-Nov. 16.

It's "a very personal journey for me as well," Thompson says. "It's very important for me to try to explain this as best as I can to people."

http://www.npr.org/templates/story/story.php?storyId=114328601


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