Showing posts with label Moldova. Show all posts
Showing posts with label Moldova. Show all posts

Monday, February 25, 2013

not Natasha



Source: Southeast Museum of Photography

DANA POPA


February 15 – May 12, 2013
Exhibition Opening and Reception: Friday, February 15, 6:00 - 8:00pm


"...for me it is essential that the audience can see the women who went through this ordeal that I am photographing. They exist."
—Dana Popa

"Natasha is a nickname given to prostitutes with Eastern European looks. Sex-trafficked girls hate it." —Dana Popa

ABOUT THE EXHIBITION


Traveling from London to her birthplace in Eastern Europe Dana Popa recorded the plight of sex-trafficked women from Eastern Europe. Sold by friends, family or even their husbands for sometimes just a few hundred dollars, these women and girls live a tawdry and dangerous life on the fringes and in the shadows of our culture.

See more:
http://www.smponline.org/ex_popa_natasha.html

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Thursday, June 21, 2012

Moldova: UN Trust Fund supports provision of legal assistance to victims of human trafficking

Moldova: UN Trust Fund supports provision of legal assistance to victims of human trafficking:
Photo: courtesy of UNDP in MoldovaWhen Dana read an ad from a travel agency inviting  women from the Republic of Moldova to spend a summer in Italy working as waitresses in a nightclub, she did not think twice about seizing the opportunity. The 19-year-old had long dreamed of going to Italy; now she could do so - and even earn good money. Dana responded to the ad and soon after made the fateful journey from her country, nestled between Ukraine and Romania, west to Italy. Upon arrival, Dana found herself trapped in a nightmare.
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Thursday, November 10, 2011

Human trafficking: powerful business eluding statisticians | European Voice

Source: http://www.europeanvoice.com/article/imported/human-trafficking-powerful-business-eluding-statisticians/72587.aspx

By Toby Vogel - 10.11.2011 / 04:58 CET

A book that adds nuance to information on trafficking and organised crime.

Human trafficking is the dark side of migration. Rising global inequalities, visible in gaping wage differentials, together with easier transport and communication technologies, have turned people-smuggling for the purpose of labour exploitation into a thriving business.

Just how big a business it is eludes statisticians, law-enforcement officials and researchers. But the difficulty, as the introduction to “Human trafficking in Europe” makes clear, goes beyond the nature of trafficking as a clandestine activity. There is no generally accepted definition of the crime; no standardised collection of data, even within the EU; and vocal disagreements about who should be defined as a victim, primarily between civil-society groups providing assistance and national authorities.

Gillian Wylie and Penelope McRedmond, the editors of this collection, are careful to acknowledge these difficulties upfront. They also explore the reasons behind the lack of hard data, and, in the conclusion to this volume, return to the importance of numbers as a driver of policy responses.

Their openness about the prejudices that inform much scholarship on trafficking – including, to an extent, their own – is refreshing. Traditionally, researchers of trafficking have tended to see themselves as advocates of helpless victims, have been close to non-governmental groups and have therefore had an interest in playing up the numbers, although the quality of research has improved with maturity.

The editors also concede that, in line with most research and public interest, the book's empirical chapters are “skewed towards...trafficking in women for sexual exploitation”, when, actually, a significant share of trafficking, perhaps in the order of around one-third, takes place for the purpose of other forms of forced labour.

Nevertheless, these empirical chapters – on Russia and Ukraine, Albania and Moldova, and, on the demand side, the UK, Greece, Cyprus, Germany and Ireland – add nuance to our understanding of trafficking, and remind us of the horrific crimes that often accompany trafficking.

What makes this collection more valuable are the conceptual and policy discussions, above all in McRedmond's chapter on trafficking and organised crime. She criticises the tendency – evident in a new EU directive on fighting human trafficking adopted in April, but also in a UN convention whose definitions have informed most other instruments – to describe all forms of trafficking as organised crime. This, she says, obscures the true nature of the crime. More seriously, such sweeping definitions would not appear to have made successful prosecutions easier; they are still far below even the lowest estimates of human trafficking in Europe.

© 2011 European Voice. All rights reserved.

Picture 1
Fact file

Human trafficking in Europe – character, causes and consequences

Editors: Gillian Wylie and Penelope McRedmond (230 pages)

Palgrave Macmillan, 2010. €70.00
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Sunday, April 24, 2011

Katya's story: trafficked to the UK, sent home to torture | Law | The Guardian

The experience of one woman, enslaved by traffickers and and shuttled across Europe to serve the sex trade, highlights the need for urgent reform of the law
  • The Guardian,
  • Article history
  • Sex trafficking report
    A model poses as a victim of sex trafficking. Photograph: Niall Carson/PA
    When they assessed her case, British immigration officials knew that Katya, a vulnerable 18-year-old from Moldova, had been trafficked and forced into prostitution, but ruled that she would face no real danger if she was sent back. ays after her removal from the UK, her traffickers tracked her down to the Moldovan village where she had grown up. She was gang-raped, strung up by a rope from a tree, and forced to dig her own grave. One of her front teeth was pulled out with a pair of pliers. Shortly afterwards she was re-trafficked, first to Israel and later back to the UK. The Home Office decision last week to pay her substantial damages has raised serious questions about the way Britain treats trafficked women. The unprecedented case also opens the possibility that other individuals who have been removed from this country and subsequently found themselves exposed to danger in their home country, could attempt to sue the Home Office for damages. The Moldovan woman was first kidnapped by traffickers when she was 14, repeatedly sold on to pimps and other traffickers, and forced to work as a prostitute for seven years in Italy, Turkey, Hungary, Romania, Israel and the UK. She told the Guardian that British police need to do much more to protect women like her and to prevent others from being trafficked into prostitution. "Just look around you - see how many girls there are like me. They are coming all the time. I see them every day - in tube stations, all made up, early in the morning. Maybe for you it is difficult to see them, but I see them," said Katya (not her real name), in an interview in her solicitor's office. "I think the police should work better to stop this. Why don't you shut down saunas and brothels? Then there would be no prostitutes, no pimps." The exhaustive account that Katya has given in court documents, explaining how she was targeted, captured and intimidated, reveals the sophisticated methods employed by gangs trafficking vulnerable women from eastern Europe, Africa and the far east. It also reveals the danger that these women are often exposed to when the British immigration service opts to remove them. Experienced staff at the Poppy Project, which provides specialist support for trafficking victims and which last week learned it was losing its government funding, described her story as among the most disturbing they have encountered. Katya has been diagnosed with post-traumatic stress disorder, but finds therapy sessions too painful to engage with. She was living with her mother in Moldova when two older men invited her and a friend to a birthday picnic in a nearby forest. Both girls were knocked unconscious, driven to Romania, blindfolded, taken across a river in an inflatable dinghy to somewhere in Hungary, dressed in dark clothes and made to walk through the forest across the border during the night, passing through Slovenia and arriving eventually in Italy. They were sold on to two separate men. Katya worked first in a flat in Rimini and then on the streets of Milan. After some months, she managed to escape and was sheltered for a while in the Moldovan embassy there, when she discovered she was pregnant. She chose to return to her family in Moldova to have the child, but her traffickers found her, beat and raped her brother and killed the family dog as punishment for her decision to tell Italian police what happened to her. She discovered that the friend she had been kidnapped with had been murdered by traffickers in Israel who had drugged her and thrown her off a seven-storey building. These experiences terrified her so much that for years she avoided doing anything that might upset her traffickers in case they acted on their threats to hurt her family. After she gave birth, and sent her daughter to live in relative safety with an aunt, Katya was sent to Turkey to work in a nightclub. She was later smuggled in a lorry to work in a London brothel. During her time working as a prostitute, she was given no money for her work and was not allowed to go anywhere unaccompanied in case she tried to escape. Her clients in London rarely asked about the conditions in which she was working. "The clients, they're drunk, and just come and say, 'Give me this, that'. No one asks: 'How are you?'. Some of them asked, 'Why do you do this job?', but I wouldn't answer," she said, explaining that she was afraid that if she appealed to them for help, they might turn out to be friends with the trafficker. She and the other women - mainly eastern European, none of them British - never talked of their circumstances among themselves. "I didn't know if the other girls were friends of the trafficker. It was dangerous to speak to the clients or the other girls. There were speakers in the flat where we lived. We didn't talk about anything. Sometimes we were locked up for weeks and weeks, not going out." The brothel, in Harrow, north-west London, was raided a few weeks after she arrived. She was arrested, but she did not reveal the full details of her enslavement to the police because the Kosovan Albanian man who had bought her told her that her family would be in danger if she said anything. Because officials did not realise Katya had been intimidated by her trafficker, they allowed him to visit her nine times when she was in detention, visits he used to intimidate her further. Although they recognised that she had been trafficked, immigration officials decided to remove her to Moldova, judging that there was no real risk to her safety. A few days after she returned home, her traffickers found her. "They took me to a forest and I was beaten and raped. Then they made a noose out of rope and told me to dig my own grave as I was going to be killed," Katya's court statement reads. "They tied the noose around my neck and let me hang before cutting the branch off the tree. I really believed I was going to die. They then drove me to a house where many men were staying. They were all very drunk and took turns to rape me. When I tried to resist, one man physically restrained me and pulled my front tooth out using pliers." The attack ended only when her trafficker told the men they needed to stop as Katya was to be sold in Israel. "I think maybe they did not kill me because I was more valuable alive," her statement reads. Katya, now 26, is thin and pale, but dentists have replaced her tooth, and her other scars are well hidden. "I didn't have too many scars or injuries as the traffickers wanted to keep me looking pretty," she said. After working in Tel Aviv for a while, Katya again escaped before being trafficked to work in a central London flat, where her pimps sold her for £150 an hour; again, she received no money. In 2007 she was detained for a second time by immigration officials, who considered returning her to Moldova, before finally granting her refugee status. Katya has been interviewed by medical and trafficking experts in preparation for the trial, all of whom found her account credible. Her legal team argued immigration solicitors should have investigated evidence that she was a victim of trafficking and that their decision to return her to Moldova, where she ran the risk of retribution and retrafficking, was a violation of her rights under article 3 (the right to freedom from torture and inhumane and degrading treatment) and article 4 (the right to freedom from slavery and servitude) of the European convention on human rights. Paul Holmes, the now retired former head of the Metropolitan police's vice unit, CO14, said in a pre-trial statement that there was already much evidence by 2003 that should have led immigration officials to identify her as a trafficking victim. He said there was "friction" at that time between the immigration service's desire to remove "illegal entrants" to the country, and his department's desire to interview potential victims and get them to testify against traffickers. "Our doubt about the effectiveness of prompt removal was exacerbated by the fact that our intelligence-gathering and operational activities had highlighted the fact that in some cases, victims that had been removed were subjected to retrafficking and were being discovered for a second time in London brothels or elsewhere within weeks of their original removal," he said Katya's case was due to open last week at the high court in London, but Home Office lawyers agreed to pay substantial, undisclosed damages the day before the scheduled start of the case. Her solicitor Harriet Wistrich, of legal firm Birnberg Peirce, said she hoped the case would highlight the dangers of unlawful removal and could prompt other claims. Wistrich said she believed the case, which has been two years in preparation, might also educate people about the reality of trafficking of women from eastern Europe. "People don't believe it's happening on this scale. People don't want to believe it," she said. There is no clear data to indicate how many trafficked women may be in England and Wales, but research for the Association of Chief Police Officers last year found clear evidence of 2,600 trafficked victims and of another 9,600 "vulnerable migrants" who might have been trafficked. The Home Office says there have been improvements in the way immigration officials deal with trafficked women since 2003, and minister Damian Green said: "The UK has become a world leader in fighting trafficking and has a strong international reputation in this field." But Sally Montier, of the Poppy Project, said the charity was still regularly helping women who were wrongly sent home and retrafficked. She warned that 21% of the women who came to the charity seeking help had already been sent home and retrafficked at least once. "Worryingly, we are seeing an increase in women who have been identified as victims of trafficking but who are in the process of being removed," she said. Last week's decision to award the Salvation Army the government contract to provide support to trafficked women would lead to the loss of the expertise built up by the Poppy Project over the last eight years, she said. "We are very worried that we will see more women who are not identified as having been trafficked, and who are consequently removed, so that they fall back into the cycle of trafficking and abuse." Katya's traffickers have not been arrested and she is concerned they could now target her younger sister in Moldova. She plans to stay in the UK, has signed up for computer courses and English language classes, and is doing voluntary work. Recently she succeeded in bringing her daughter to live with her, but is troubled by the possibility that she could run into the people who forced her into prostitution in London. She is sceptical about the likelihood that the Home Office decision could force officials to treat trafficking victims with more sensitivity: "If the government cared it would not be closing the Poppy Project. They don't care." But she adds: "I'm not angry with the government. How can you be angry with the government? I'm angry with my life, the things that have happened."


Katya's story: trafficked to the UK, sent home to torture | Law | The Guardian
Source: guardian.co.uk
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Sunday, July 25, 2010

YouTube - Human Trafficking in Moldova - New Europe - BBC

BBCWorldwide | July 15, 2010

Michael Palin visits the poorest country in Europe, Moldova, to watch a local theatrical performance depicting the often harrowing and unpleasant human trafficking trade that forms part of the local life. Moving scenes from BBC travel documentary Michael Palin's New Europe. Watch more high quality videos on the new BBC Worldwide YouTube channel here: http://www.youtube.com/bbcworldwide



YouTube - Human Trafficking in Moldova - New Europe - BBC


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Thursday, April 8, 2010

The Human Trafficking Project: Stella Rotaru: Fighting Global Sex Trade



From Al Jazeera:

Stella Rotaru, with her International Organization for Migration, is fighting the international sex trade.

Stella is from Moldova, a former Soviet republic so poor that over one quarter of the population has emigrated. The country is a prime source for girls trafficked into prostitution.

Within a few years, Stella has become the "go to" person for many girls who have been tricked and sold into prostitution with the false promise of a job abroad - often in the Middle East.

As a young Moldovan herself from a similar background, the girls trust her.

This film tells the story of some of these girls and Stella's determination to help them.

Posted by JHak at 7:00 AM

The Human Trafficking Project: Stella Rotaru: Fighting Global Sex Trade
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Sunday, February 21, 2010

Not Natasha

Dana Popa

05th Feb - 18th Apr 2010
Impressions Gallery, in partnership with Autograph ABP, presents 
not Natasha by award-winning photographer Dana Popa.

This hard-hitting and harrowing project, made over the last four years, documents the experiences of sex-trafficked women from Moldova through photography and collected stories. Popa says, ‘Natasha is the nickname given to prostitutes with Eastern European looks. Sex trafficked girls hate it’.

Below you can watch the film Two Little Girls narrated by Juliet Stevenson, which is being shown in the exhibition and highlights the issues in Popa's work. This is a powerful and cautionary tale which has already become a talking point amongst victims of the sex-trafficking trade. While many films on the subject are often distressing and difficult to watch, this film draws in the audience with its animated fairy tale style and music before hitting home with its serious message.

[TRAFFICKING MONITOR: Click on the URL http://www.impressions-gallery.com/exhibitions/exhibition.php?id=30 to view the documentary.]

More about the exhibition not Natasha

Since the collapse of the Soviet Union, Moldova is one of the main source countries for trafficking women and children, with up to 10% of the female population sold into prostitution abroad. Poverty, the desire for a better life, and the need to escape broken families and oppression make them vulnerable to traffickers, who offer false promises of well-paid jobs abroad. Once arrived in the country of destination, the girls are sold to pimps and their passports confiscated.

Popa worked with the International Organisation for Migration and Winrock International in Moldova, where she photographed and documented the disturbing experiences of these women. She also collected the stories of those who remain disappeared, photographing their families, homes, and in some cases children who were left behind. Finally, she documented the spaces where trafficked women are forced into prostitution in the brothels of Soho, London.

Mark Sealy, Director of Autograph ABP, says, ‘Popa’s photographs are a powerful enquiry into a pervasive form of violence against women. They are a tragic reminder of just how vulnerable and powerless women are globally, and expose the futility of universal declarations’.

Dana Popa (born 1977, Romania) is a photo-artist based in London who graduated from the London College of Communication. Popa specialises in contemporary social issues, with a particular emphasis on human rights. In 2007, not Natasha received the Jury Prize in the Days Japan International Photojournalism Awards and the Jerwood Photography Award. Dana’s work has been exhibited widely and includes the Noorderlicht Photofestival in Leeuwarden, at the Musée de l’Elysée in Lausanne, Kiyosato Museum of Photographic Arts in Tokyo and in the exhibition Moving Walls 14 at the Open Society Institute in New York.

Join us for an Artist Talk with Dana Popa on Saturday 27 February 2010, 2pm to 3pm.
Click here to read more. http://www.impressions-gallery.com/events/index.php?id=124


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Monday, November 2, 2009

NPR: Emma And Elena, Exposing The Sex Trade

Emma Thompson tours 'Journey'
Enlarge Simon Clark/Eyebox
"I Wasn't Me Anymore:" Emma Thompson tours Journey, an art installation she co-created with a woman who was victimized by sex traffickers. Viewers who look through this porthole see their own faces superimposed on the bodies of woman wearing "prostitutes' weeds" — tattered lingerie and other worn, used clothing.


October 31, 2009

Emma Thompson may be best known for the stories she's been part of on screen and stage, but now she wants to tell you a different sort of tale. It's the story of a young girl, Elena, who was forced into the global sex industry.

Elena is from a small town in the Eastern European republic of Moldova. At the age of 18, she was promised a job and a future in the U.K. When she arrived, she was made into a prostitute.

Thompson, who met Elena through her involvement with a group that works to help survivors of such experiences, has curated and championed an art installation inspired by Elena's story. It's called Journey, and it has its New York opening this November. The installation comprises seven shipping containers, each designed by a different artist to interpret one part of what Thompson calls Elena's "journey into hell."

Thompson tells Scott Simon that she was immediately drawn to Elena — to protect her privacy, NPR isn't using Elena's last name — because "she's a survivor, and most survivors are extraordinary people." As they got to know each other better, however, one of Elena's qualities struck a particularly special chord with Thompson: "Her capacity to tell this story whilst laughing and smiling and being positive about it and herself."



'Journey' outside London's National Gallery
Simon Clark/Eyebox
Destination London: Journey outside Britain's National Gallery, where it was installed in 2007.
As Thompson and Elena deliberated over how best to tell Elena's story, they settled on the idea of an art exhibit that would engage the viewer.

"She had already been objectified," Thompson says, "and I think sometimes watching those things on the screen actually furthers or deepens that sense of objectification. ... The person who's watching is just sitting there watching. They're not walking, they're not doing, they're not seeing and feeling things in a different way."


Shipping containers were an obvious choice, Thompson says.


"They resonate so strongly; they're such powerful, huge objects, and we associate them with the movement of goods, which is essentially how she was treated."

The containers are arranged in a kind of chronological order. The first, which invites viewers to look through a series of keyholes at scenes from Elena's childhood, imagines what it was like for her to lose her father and then be offered the hope of a better life elsewhere. That hope came in the form of the woman who approached Elena in a marketplace, dangling the prospect of a job as a secretary in London. She's represented in the installation as a vaguely menacing figure looming over a suitcase-toting Elena. The writing on the wall reads, in a childlike chalk scrawl: "'Would you like to go to England?' she said."

The next container represents Elena's journey from Moldova to London. It's pitch-dark, and all you hear are repetitive sounds of movement.

When Elena arrived in London — her passport confiscated, a stranger alone in a foreign city — her handlers gave her a new set of work clothes. Thompson calls them "prostitutes' weeds" — tattered underwear and stockings "that had been worn by other women, old used stuff." Elena's handlers forced her to wear them.

Oscar-winning costume designer Sandy Powell, who designed this part of the installation, wanted to convey what it would be like to look in the mirror and realize that you had lost your identity. So when visitors walk into this container, they look through a sort of porthole at a mirror, seeing their own face superimposed on a picture of a prostitute's body. The experience, not surprisingly, can be deeply moving for women who walk through. But Thompson says that men "didn't laugh or find it funny. They understood absolutely what it meant."

Thompson curated the last container herself. She built it around what she calls "the language of rejection and disbelief:" It's a 15-minute tape of Elena telling her own story, juxtaposed with government documents expressing skepticism about the claims of asylum-seekers who, like Elena, were trafficked into Britain.
Thompson isn't merely flying into New York for the grand opening of this exhibit. She'll be staying for all of its week-long installation in Washington Square Park, Nov. 10-Nov. 16.

It's "a very personal journey for me as well," Thompson says. "It's very important for me to try to explain this as best as I can to people."

http://www.npr.org/templates/story/story.php?storyId=114328601


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